Requiem
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The Requiem is a text used as the Catholic and Anglican Mass for the dead, and like the ordinary mass may be set to music. It was more commonly found in the days of the Latin Mass, but is being revived by modern composers. Composers of the Renaissance and Baroque periods wrote requiem masses as functional pieces of liturgical music, for use in religious ceremonies. In contrast, many composers of more recent times have been using the ancient Latin texts as the basis for an extended concert work, very often too large a scale and too long to be used for an actual requiem mass.
Contents
Structure
The Requiem is similar to the text of the ordinary mass, but with several significant differences. There is an Introit, or Requiem aeternam which precedes the Kyrie and a few settings begin with an instrumental-only prelude. The text of the Requiem aeternum may be repeated as a gradual and tract. The Requiem omits the Gloria and instead inserts a Sequence consisting of several unique movements, before the Sanctus,Benedictus and Agnus Dei, found in the normal mass. The requiem closes with the communion piece, Lux aterna, and a responsory, the Libera me.
Order of movements
- Introit - Requiem Aeternum - Rest eternal
- Kyrie eleison - Have mercy
- Dies irae
- Dies irae - Day of wrath
- Tuba mirum - Hark the trumpet
- Liber scriptus - Now the record
- Quid sum miser - What affliction
- Rex tremendae - King of Glories
- Recordare - Ah! remember
- Ingemisco - Sadly groaning
- Confutatis - From the accursed
- Lacrimosa - Ah! what weeping
- Offertorium, Domine Jesu
- Domine Jesu
- Hostias
- Sanctus
- Benedictus
- Agnus Dei
- Communion: Lux Aeternae
- Pie Jesu
- Responsory: Libera me
- In paradisum
Some composers have omitted or changed the order of these movements; for example Faure's setting contains only the Introit and Kyrie, Offertory and Hostias (as one movement), Sanctus, Pie Jesu, Libera Me and In paradisum. Mozart's Requiem (completed by Sussmayr) omits the Pie Jesu, Libera me and In Paradisum (although Mozart may have intended to write these movements).
Text
This text is provided with a literal translation from the original Latin to English.
Introit | |
Requiem aeternam dona eis, Domine. Requiem aeternam dona defunctis, Domine. |
Eternal rest give unto them, O Lord Eternal rest give unto the dead, O Lord |
Kyrie | |
Kyrie, eleison! |
Lord, have mercy on us! |
Dies irae | |
Dies irae, dies illa |
Quantus tremor est futurus, |
Tuba mirum | |
Tuba mirum spargens sonum |
Mors stupebit et natura, |
Liber scriptus | |
Liber scriptus proferetur, |
Judex ergo cum sedebit, |
Musical Forms | |
---|---|
Polyphonic forms | Canon • Canzona • Invention • Fugue • Organum • Ricercar • Round • Sinfornia |
Sectional forms | Strophic form • Chain form • Binary form • Ternary form • Rondo form • Arch form • Ritornello form |
Cyclical forms | Ballet • Concerto • Mass • Oratorio • Opera • Requiem • Sonata • Song cycle • Suite • Symphony |
Through- composed forms |
Bagatelle • Fantasia • Etude • Impromptu • Prelude • Rhapsody • Symphonic poem |
Dance forms | Allemande • Ballad • Bolero • Contradance • Estampie • Jig • Polka • Waltz
French: Courante • Gigue • Minuet • Sarabande Italian: Barcarolle • Saltarello • Tarantella |